Another year arrived, and I suddenly found myself shooting 120 film, and bulk rolling 35mm. I determined that it was an unconscious sign, like the purple dawn greeting me on the Myall River, and that I needed to return to 52rolls once more.
Seasons come and go, years drift by, but our political fate seems remarkably out of step with the changes signified by the world: hotter than normal nights and summers, rising sea levels, glaciers retreating, and storm tides reaching heights that have been unknown before.
Perhaps the current political climate is the last gasp of destructive forces, divisive ideologies, repressive religions and environmentally unsustainable capitalist enterprises, that are all deeply out of step with the spirit of the modern world. Taking photographs always gives me hope, particularly when the magic revealed in the salts, are symbolically in tune with the many millions of women (and men) not only…
Everywhere there are reminders of time. The sun rises and sets, tides come in and out at all hours of the day and night, the moon passes through its phases, seasons are marked by solstices and equinoxes, and the movement of constellations across the sky witnesses the passing of seconds and minutes, into days and years. Flowers bloom, leaves fall, life comes and go.
Ancient eye
It might have been halfway to low tide that it was abandoned, but when I arrived the flood tide was reaching its peak. Not far from the water’s edge I looked down and espied a wrist watch, neatly fold on its band with mother of pearl face reflecting the sky.
The place was deserted, and the next large wave might cast it into a crevice to be lost forever. I looked out to sea macabrely half expecting that a body might be floating or a person might be swimming distantly to a futile future. Gratified that the sea was empty as the rocks of people, I determined that finder’s law must apply and saved the timepiece.
The big and little hand
Temporality and its markers hasten the prescience that mortality means becoming a memory lost to time, like a missing watch suspends our capacity to observe moments drifting past. The possibility of death after learning I had cancer, did not make me believe that life was vanishing before my eyes, but rather that I would wash with each passing year from the memories of others.
Wash
Death and its shadow never seems far away. I have been always rushing to do things, or defend things, and have been fearful of passing. Phrases such as “walking on” or “swimming beyond” are more appealing euphemisms to me. I am less worried about eternity’s breath now, although some things make me anxious. It is good to slow and take a breath. The world isn’t going away. Kilimanjaro and the Himalayas will still be there. I might never see them, but this feeling I was fading out of history and would soon become a lost memory troubles me less. I feel a lot more assured that I might be forgotten, but perhaps a little less slowly than I anticipated. Time to let go.
A friend recently wrote to me: “What you will take away from your time at work [and life] will be the satisfaction that you made a difference in a great many lives. There are people who will remember that you once helped them when it counted, and that made their lives possible.”
Diamond heart
Recently our son graduated, and daughter earlier this year. He will be 25 in February and she 24 in the middle of the year. I am feeling a lot older and that life passes, moves forward and eclipses us. I am enjoying watching my wisdom seem to grow or acceptance of ageing a bit more at times.
Mask
It is time to make some more photos.
Waves still crash
All photos taken at Bass Point with a Chamonix 045F1 View Camera, Nikkor-SW 90mm f/8 and Rodenstock Apo-Sironar-S 150mm lenses, and Shanghai 100 film and developed in PMK.
Winter comes –
I see it in my face,
days grow shorter.
Fault lines
Light is white
Except when it’s black
– clouds are grey.
Intersection
Lines, lines, lines.
Lines radiate from my eyes
– laughter lines
Tessellations
All photos taken on the rock shelf at Shellharbour using a Chamonix 045F1 View Camera, Wollensak Velostigmat W.A. Ser. III f/9.5 6-1/4inch lens, on Fomapan 100, and developed in a mix of Xtol(1.3)+RO9(1.160).
Over the weekend we visited Cowra and Canowindra on the western side of the Great Dividing Range. The latter is on the Belubula River which flows into the Lachlan not far downstream from Cowra. It is a prosperous grain and grape growing area when it is not otherwise in drought. Many of the fields have been ploughed ready for spring crops and welcome late autumn storms and rain.
Late afternoon storms
The country beyond the great sandstone curtain in the central west is different to the world experienced on the coast. It is hot in summer and cold in winter. Hills roll out from the mountains into gently undulating slopes which gradually flatten into river flats and eventually plains where the eye can see almost forever. The dirt is a rich volcanic red.
Hillock near CanowindraReady for seed
Small ranges rise along the Lachlan River Valley, and caves hidden in their forests once were home to bushrangers. As the river travels deeper into the interior, its banks are home to old river gums and the land of the ancient Wiradjuri people with their culture once of carving trees.
Silos at dusk near CowraDisused railway bridge
Canowindra has an iconic narrow main street that winds above river flats around a small hill. There are four old hotels in the space of a few hundred yards and the remarkable Garden of Roses cafe with its stained glass windows and rows of empty tables and chairs. At one end of the main street is the small but important Age of Fishes Museum with its rare fossils from the Devonian period. Much as I am committed to landscape photography I force myself to make a few photographs within the streetscape.
Garden of Roses
We toy with the idea of moving inland where property is significantly cheaper and life slower. The people seem kind and generous, and it feels almost like an agricultural utopia. One suspects the streets are quiet on a cold Sunday morning, not because the townsfolk have gone to church, but because they are sleeping in. Beneath the surface, poverty still dwells but is concealed by the presence of tidy towns, cafes, local museums and galleries. Although time passes by many small towns, freshly painted buildings and window displays in empty shops encourage a sense of hope lighting a path to the future. Bucolic dreams always lead to existential contemplations which tantalise heart and mind as rural revelations question our urban existence near the coast.
Royal HotelGeraniums at The Old VicCanowindra Hotel
All photos taken with Chamonix 045F1 View Camera, with Goerz Dagor 10 3/4″ and Gundlach Radar Extreme W.A. Anastigmat f16 6.5×8.5″lenses, on Fomapan 100 film, and developed in a mix of Xtol(1.3)+RO9(1.160).
Waterfall Creek meanders quietly through stands of salmon coloured angophoras, white scribbly gums and gymea lilies with their towering red flowers in spring, before dropping twice over the sandstone escarpment at National Falls to the rainforest far below.
Scribbly gum and gymea lily
Late in the afternoon shadows descend quickly under the escarpment, while on the plateau, by chance the sun picks out a tree or lily to highlight with its rays before falling beneath the horizon in the west.
Ferns and stream
Looking east from the edge, I imagine the early morning glow bathing the sandstone cliffs and falls, as I peer under its shining steps into the gloom.
Shining steps
Fading light only deepens the vertiginous illusion that I too might fall like water to the sun.
Vertigo
Photos taken with Chamonix 045F1 View Camera, Goerz Celor 7 inch f/4.5 (top photo) and Gundlach 5×8 Korona Anastigmat f/6.3 lenses, on Ilford Delta 100 film, and developed in RO9(1.50).
“Nothing ever happened – Not even this ”
― Jack Kerouac, Big Sur
Bixby Bridge
From beneath the trees in the canyon below came the occasional sound of laughter. Through the leaves, glimpses of Bixby Creek glistened with silver beneath the deep blue sky. It didn’t really matter to me that the secret world in the canyon could not be seen. I knew this place. “Leaves suddenly go skittering in the wind and into the creek, then floating rapidly down the creek towards the sea, making me feel a nameless horror even then of “Oh my God, we’re all being swept away to sea no matter what we know or say or do.””
Kerouac would always fill my visions of the canyon. In the distance I could hear the crashing roar of waves and knew his words hadn’t been washed away. The bridge spans memories of isolation and feelings of hopelessness lying underneath. I felt breathless.
Free your mind at least
Inscribed in the wall at the back of the Old Monterey Gaol is a peace sign. No one ever escaped from here, except in their minds. The grille must have made the air within feel dank and lifeless. Who carved the graffitti, who suffered within?
For a little over hundred years the Old Monterey Gaol held prisoners. How long would the date 1854 carved so boldly in the lintel over the entrance remain, in contrast to the peace sign at the rear. Not all visions of isolation lead to hopelessness but sometimes we can be encouraged and reminded of peace.
1854
Lying in my hospital bed healing, on the hill between Monterey and Carmel, I looked out at the trees and saw them come alive. In the leaves and branches I could see faces. Perhaps these were the spirits of the place, or of those who had not left yet from its dreaming. It caused me neither fear or horror, but instead peace.
From my home in the other side of the Pacific, I now yearn to look south once more towards Point Lobos and Big Sur from this place of enchantment. I had not been washed away, and my life taken on the tide.
Perhaps nothing ever really happened…not even this.
Looking south
All photos taken with Chamonix o45F1 View Camera, using Rodenstock Apo-Sironar-S 150mm and Goerz Dagor 10 3/4″ lenses, on Delta 100 and Aerochrome.
Early light from behind the cracks in the curtains woke me in our motel room. I jumped out of bed to see clear skies beckoning. Not a precious moment could be wasted. The forecast was good, and storms were not expected until late afternoon. We could leave Mt Shasta and reach Crater Lake before lunch.
We drove northward into Oregon on roads that were mostly deserted. The valley around Fort Klamath was silent. Here and there were empty old barns. Houses and cabins seemed to be closed for winter with driveways deep in snow. The only life I saw was a pair of fish swimming in a crystal clear stream in a world of their own.
BarnStream
It was not until we reached Crater Lake that we saw a few other people. I took a photo and then moved around the rim to where the views were steeper and clearer. Clouds were starting to move in from the west bringing a change. Suddenly what portended an ill wind to me hit. It was freezing cold, carrying ice particles that were hurled like many thousands of tiny spears. Melody sheltered while I finished my photo stepping gingerly not to lose my footing in the ice covered snow.
Wizard IslandOn the edge
Hastening off the mountain, we soon turned east taking back roads across high desert country to Christmas Valley hoping to outrun the weather. We were glad when we got there to see the only gas station for many miles, refueled, and stocked up on a few drinks and snacks.
Nightfall came when we reached Burns. The streets were mostly devoid of traffic and people. We checked into the Silver Spur Motel on the far side of town at the end of main street. Only $44 dollars a night, free wifi, queen sized beds and most importantly, heating. The surrounding country was still covered in snow, but patches looked swampy where it had begun to melt.
We had dinner at the Mexican bar and dinner back down Nth Broadway Ave. It had a only few customers. In spite of the recent siege at Malheur, there was no evidence of law enforcement or media remaining present in the town. Most motels and restaurants were empty. The circus had left this distant place to follow other stories. It was encouraging to hear the locals checking in with each other, asking whether they were doing okay. Back at the motel I received an unwelcome email from a former employer and would spend several sleepless night worrying. I started to feel breathless and unwell.
The next morning grey clouds hung low in the sky, the light was soft with a tinge of orange on the mountains to the east. In the distance Steens Mountain stood white and resolute. Reaching the pass and vales near Stinkingwater Creek the emptiness spread out before us. We stopped briefly to admire its beauty and momentarily feel the solitude. It would be a long way to Vale with its streetscapes of murals celebrating the Oregon trail and the path taken by pioneers to distant places.
Dam at Stinkingwater Creek
We had last crossed the Oregon trail several years ago at Montpellier in Idaho from where it is a long way down the Snake River Valley and then beside the Malheur River to Vale, and even further to Burns or Christmas Valley. On the wall outside the Vale Public Library is a mural depicting pioneers enjoying the nearby Malheur River, resting and breaking their long journey with water and pastures for their beasts. The route most certainly was tough heading west from Vale along the Malheur into the high desert. Above the library entrance there is a quote from a pioneer woman which for me captures the essence of enduring such a long lonely trail into desolation:
“I must keep writing to remember who I am.”
Snow in the high desert passes
All photos taken with Chamonix 045F1, Rodenstock Apo-Sironar-S 150mm and Goerz Dagor 10 3/4″ lenses, on Delta 100 film and developed in a mix of Xtol and RO9.
“Won’t you keep us from all harm Wonderful redwood tree” – Van Morrison
It is hard not to imagine a journey through northern California, Oregon, Monterey, the Big Sur coast, and San Francisco without considering the influence of historical and cultural topographies. There are many possible routes: from the pioneers of the Oregon trail, to the paths of Kerouac and the Beats, modernist photographers such as the Westons or Adams, and musicians of the 60’s and 70’s that celebrated these places in their lyrics, influencing our consciousness.
Early morning after rain
I hadn’t expected however that in Orgeon and northern California there would be such strong legacies and remembrances of the depression programs of Franklin Delano Roosevelt. Friends insisted that we should travel to Mt Hood and see the Timberline lodge with its incredible architecture, artworks, and tribute to job creation at a time of such economic need.
Presence
Driving down the Oregon coast we crossed several bridges which owed their construction to the vision of FDR, and in the redwoods at Prairie Creek his influence in conservation and tree planting programs is still celebrated. The broader community effort to preserve and save the redwood forests of northern California nearly 100 years ago today seems remarkable, yet today when we visit the USA it is the parks, forests and wilderness that attract us, and motivate others to conservation elsewhere in the world.
Redwoods and sword fernsIn the light
These quiet forests, with majestic groves deep within are places of incredible beauty and peace. Walking through Stout Grove I placed my hand on a redwood, felt the bark with my palm, and acknowledged my small age next to its. We worry about the things that might make us, or our age and nations great, yet some of these trees have witnessed much of recorded human history, and many have lived since at least the invention of the printing press. Their almost infinite presence gives us hope that we can live through harm, find hope and healing.
Redwood standLate afternoon
All photos taken with Chamonix 045F1, Rodenstock Apo-Sironar-S 150mm, on Delta 100 and developed in a mix of Xtol(1.3)+RO9(1.160).
Pounded by wild seas, cast upon rocks, and pushed high by storms, coves around Bass Point fill with shells. Some are whole, but most are fragments. Pieces are broken, and eroded by successive tides, revealing the patterns and structures of different species living by the sea.
An arabesque swirl catches my eye, as does the disk with a spiral, that differs from circles shining, unbreakable structures inside a barnacle, or wings remaining, and the surprise of a branch with leaves attached dried in the sun.
Every fragment, a memory of a past life or being. Each piece and pattern reminds me of my own existence, and the structures that shape my mind and spirit.
Year in, and year out, boats sit at their moorings, rising and falling, or turning with each change of the tide, on the Myall River at Teagardens.
Moorings
Pelicans perch on poles, parade on the broken dock, and across the river boats seem more likely to be boarded by seagulls than their owners.
Perches for pelicans
Near the police station a tumble down houseboat that could claim to be the local Post Office floats alongside a dock. Sea mail goes very slowly these days, especially if you are expecting a delivery from Mayday Rd.
Mayday Rd
Along the waterfront, towards the Singing Bridge, craft that are used more frequently are tethered. In their midst is the old boat shed that now serves as a cafe. The years pass by, and life is measured as much by tides as by coffee spoons.